Camilla Hoitenga, flutist:
Spirits and Memories: Kaija Saariaho, Margaret Fairlie-Kennedy, Kazoo Fukushima, Lee Yong Chong, Helen Fisher, David Bohn, Noriko Nakamura
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Collaborations:
Visual Concerts
”EKSTASIS” — multimedia concerts with music by Kaija Saariaho and Jean-Baptiste Barrière, with Raphaële Kennedy, soprano; Aliisa Neige Barrière, violin and Camilla Hoitenga, flutes Recording now available on Blu-ray and CD: (and here the video teaser…)
“EKSTASIS”, ext. du coffret Blu-ray / CD from Jean-Baptiste Barrière on Vimeo.
Jean-Baptiste Barrière, design and realisation of the images, electronics and final mixing, electronics realisation | Pierre-Jean Bouyer and François Galard, video processing | Isabelle Barrière, video shooting, editing and color grading | Image Auditive, technical conception and supervision | David Lefeber, engineering, editing, vocal and instrumental sound mixing | Thomas Goepfer, electronics realisation
Flute & Kantele
Duo with Eija Kankaanranta
Repertoire includes works written for them by KAIJA SAARIAHO, MAIJA HYNNINEN, STEFAN HAKENBERG, JUHANI NUORVALA, ASTA HYVÄRINEN
Download PDF: Duo Hoitenga / Kankaanranta
Flute & Harp
with Héloïse Dautry, guests Anne-May Krüger, Mezzo-Soprano, Antoine Dautry, Viola
Repertoire written for them by Kaija Saariaho , Orjan Sandred , Tôn-Thất Tiết , Peter Köszeghy , Anne LeBaron , Ying Wang , Christophe de Coudenhove, Christophe Sirodeau , Andreas Wagner, Isabel Chevalon
Flute & Percussion
WAVE DASH~ with Magdalena Meitzner
Repertoire includes works written for them by Anne LeBaron , Lisa Streich , Christofer Elgh , Peter Gilbert , Karola Obermüller, Richard Hermann , José Luis Hurtado
With the generous support of the Swedish Art Council and subsequently with the support of the John foundation in New Mexico, Camilla and Magdalena commissioned many of their favorite composers, first in Sweden and later in the USA. The result is a new program of distinctly personal and compelling new music for flutes and percussion.
Find detailed information on both artists and the programm in this Presentation of WAVE DASH.
Sounds of Time with Norbert Krämer
Repertoire includes works written for them by SHIDA Shôko, Jovanka Trbojevic, KANNO Yoshihiro
„Sounds of Time“ – in Japan zirkular statt linear, fließend ineinander übergehende Phrasen anstelle von logisch aufgebauten Abläufen. Klänge, die über uns hinwegfluten wie Wellen am Strand und uns von einer Welt in eine andere mitnehmen. Klänge auch, die zeitlos sind, auf uralte Rituale anspielen, auf Gesänge beim Sumô-Ringkampf, die in die Gegenwart übersetzt und auf westliche Instrumente übertragen werden, auf Bass-Flöte und Piccolo, auf Trommeln Gongs und Triangel. Individuelle und kombinierte Klänge, inspiriert von Vorstellungen animistischer und spiritueller Überlieferungen, vermittelt durch moderne Technologien (Spektralanalyse von Schwingungen) und bereichert durch vokale Äußerungen, mal meditativ, mal erregt. (H.-D. Reese)
Sombre: Reflections and Responses
An evening of Immersive Musical Theatre inspired by Kaija Saariaho’s SOMBRE in the version for Bass flute, Baritone, Kantele, Percussion and Double bass
Including world premieres of works inspired by further music from Kaija Saariaho by Swiss composers Cécile Marti & Asia Ahmetjanova and with additional responses by Jean-Baptiste Barrière.
Participants:
- Camilla Hoitenga (D/USA) Bass Flute
- Robert Koller (CH) Bass-baritone
- Eija Kankaanranta (FIN) Kantele
- Ensemble ö! (CH):
- David Sonton (CH) Violin, Viola
- Daniel Sailer (CH) Double Bass
- Dino Georgeton (CH) Percussion
- Jean-Baptiste Barrière (F) Sound design, electronic arts
More information coming soon, subscribe to my newsletter to stay up to date!
Flute & Piano/Synthesizer
Three Projects with FLUTE AND PIANO and/or ANALOGUE SYTHESIZER
KARLHEIZ STOCKHAUSEN POLES
In a version for flute and analogue (Serge) synthesizer.
The international project POLES is an hommage to Karlheinz Stockhausen centered around his composition POLES (1969-1970) for two players and multichannel sound diffusion. POLES is a so-called “open score”, music notated with a system invented by Stockhausen which consists of +’s and -’s instead of normal notes and which allows for various instrumentation.Aiming for a historically informed performance Camilla Hoitenga (USA/D) and Taavi Kerikmäe (EST) have made a version for flutes with the rare 1970s Serge modular synthesizer once belonging to composer (and some time copyist for K. Stockhausen) Michael Manion which is combined with current sound diffusion possibilities.
Performers:
Camilla Hoitenga (USA/ GER) flutes (piccolo, C-, alto-, bass-flutes)
Taavi Kerikmäe (EST) SERGE modular synthesizer, piano /inside-piano sounds
Francesco Colasanto (ARG/MEX), Tammo Sumera (EST) sound diffusion
Interview with Katherine Bergman about our project around Stockhausen’s POLES for flutes and Serge synthesizer: Read here
SPECTRAL REFLECTIONS
A recital of classics for flute/s and piano as well as music written for us by composers such Peter Koeszeghy, Kaija Saariaho and Helena Tulve.
MICHAEL MANION MEMORIAL CONCERT
With music for flute, piano/Serge synthesizer
Repertoire:
Concertos
Written for Camilla Hoitenga:
- Alex Nante – de luz y sueño (2019), dedicated to Camilla
- Oliver Schneller – Kagura (2010), for ensemble
- Hartmut Schulz – Three Views of Arctic Waters (2009), for percussion and strings
- Raminta Serksnyte – The Little Prince (2007), for percussion and strings
- Pèter Köszeghy – Soulflight (2006), for full orchestra
- Malika Kishino – Himmelwärts II (2005/2007), for bass flute, percussion, and strings
- Mart Siimer – Flying Saucers (2002), for percussion and strings
- Kaija Saariaho – Aile du songe (2001), for percussion, harp, and full orchestra
- Faidros Kavallaris – Anakyklia (1994), for ensemble, dedicated to/premiered by Camilla
- Ken-Ichiro Kobayashi – 4 Chapters (1984), for full orchestra, dedicated to/premiered by Camilla
Other favorites:
- C.P.E. Bach Concerto in d-minor
- A. Vivaldi All concertos, also for piccolo
- Vilem Blodek Concerto
- Chaminade Concertino
- Ernst Bloch Suite Modale, Two Last Poems
- Arvydas Malcys Vox Clamantis in Deserto
- Henk Badings Concerto (with symphonic wind ensemble)
- Toshio Hosokawa per-sonare (flutist also playing piccolo, alto, and bass flutes)
- Jacques Ibert Concerto (old favorite – always effective!)
- Lotta Wennäkoski soie (2009)
Solo Programs
Written for Camilla Hoitenga:
- Pèter Koeszeghy – Lava (2017)
- Dan Senn – Its Mirror (2014)
- Ivan Belloq – Brook (2013)
- Yasutaki Inamori – Mumbling Flute (2012)
- Michèle Rusconi – On a Whim (2012), for piccolo, flute, alto flute, and bass flute
- Georg Kröll – Vglein im hohen Baum (2011)
- Michael Denhoff – Studie (2009)
- Yu Kuwabara – Ohyarai Variations (2009)
- Takehitu Shimazu – Cosmos (2009), for flute and buyoh dancer
- Karola Obermüller – …silbern (2) (2008/2011), for alto flute or bass flute
- Pèter Eötvös – Kadenz from “Shadows” (2008)
- Pèter Köszeghy – Utopie XIII – Eisblüten (2008), for piccolo
- Mike Svoboda – Music for Piccolo, from “something bigger” (2008)
- Rodrigo Lima – Entrelinhas (2007)
- Arvydas Malcys – Vox Clamantis in Deserto (2006)
- Rose Dodd – Lickety-Split (2004)
- Christopher Fox – Escalation (2004)
- Joyce Bee Tuan Koh – Leap (2004)
- Kaija Saariaho – Dolce Tormento (2004), for piccolo
- Ray Warleigh – First Light/Second Light (2004)
- Jakub Sarwas – Prisms (2003/04)
- Miyuki Ito – The Sands of Time (2003), for bass flute
- Harue Kondoh – The Moon of Shighira (2003)
- Takefumi Shigihara – Mogari-bue (2003), for piccolo and flute
- Takehiko Suzuki – Jade (2003), for flute and electronics
- Yoko Takahashi – Koge (2003)
- Robert HP Platz – Danach (2002/03)
- William Brooks – KS/CH (2002), Music Theatre
- Rodney Sharman – Weissherbst (2002)
- Joel-Francois Durand – Au-delà (1999), for piccolo
- Ansgar Nierhoff – Anlehnen (1999)
- Shoko Shida – Fukura Semé (1998/2000), for nohkan and flute
- Ulrich Gasser – Schatten im Duftenden Garten (1998), for bass flute
- Sven Hermann – Die Brücke (1998)
- Albrecht Maurer – Die tanzende Aphorisme (1998), for alto flute
- Takehito Shimazu – La Follia II – An Invitation to Madness (1997/98), for electronics
- Erwin Koch-Raphael – Alba (1996), for bass flute
- Volker Staub – Nr. 34, Teil III (1995), for bass flute
- Barbara Heller – Spielpläne (1994)
- Andreas Wagner – IMIM (1994), for bass flute
- Erwin Koch-Raphael – Basalt (1993)
- Gerold Kürten – Blues für Bass-Querflöte (1988), for bass flute
- Chris Newman – Confusing the Years, (the) Last Flautal Appearance (1987)
- Joseph Hölderle – Caravelle (1984)
- Eugen-Mihai Martòn – Die Taube des fernen Pinienhaines (1984), for bass flute
- Jan van Amorongen – Ondeggiamento (1982)
- Margaret Hoenderdoes – Camilla (1982)
- Tiberiu Olah – Sonate (1980)
- Karlheinz Stockhausen – Amour for Flute (1976/1981)
- Gary Verkade – Reflections (1976), first piece written for Camilla
Chamber Music
Written for Camilla Hoitenga:
For Flute and Kantele
- Maija Hynninen – Lightness of the Days (2017), for flute and kantele
- Kaija Saariaho – Light, Still and Moving (2017), for flute and kantele
- Anne LeBaron, arr. Kankaanranta – Solar Music (1997/2017), for flute and kantele
For flute and Voice
- Shoko Shida – Uneri (1980) (soprano, flute electronics)
- William Brooks – Sweet (2009) (Music Theatre for soprano and flute)
- Pierre-Adrien Charpy – Matar, no te mataria (2009) (soprano and flute)
- Miyuki Ito – Ajuga (2009) (soprano and flute, opt. video)
- Kumiko Omura – North Wind (2009) (soprano and flute, opt. video)
- Kaija Saariaho – Changing Light (2002) (soprano and flute, opt. video)
- Kaija Saariaho – Ariel’s Hail (2000) (soprano, flute, harp)
- Hartmut Schulz – Requiem (2010) (baritone, flute and piano
- Kaija Saariaho – Boatswain’s Cheer (2014), for flute, recitante, cello, and double bass
- Kaija Saariaho – Sombre (2014), for bass flute, baritone, harp, contrabass, and percussion
- Jean-Baptiste Barrière – Songs and Intermezzi from “The 38th Parallel” (2018/2019), duos and trios with baritone and violin
For Flute and Harp/Koto/Guitar
- Takehito Shimazu – Ist Herr Dharma? (1994) (flute , guitar, percussion)
- Anne Lebaron – Solar Music (1997) (flute and harp)
- Gene Coleman – Shredded Heritage (2000) nohkan, 2 guitars, electronics
- Shoko Shida – Aya (2000) flute and 2 guitars
- Yoko Takahashi – Baraka (2001) (flute and koto)
- Takehito Shimazu – Fuzzy Diagonals I (2001) flute, 2 kotos, Japanese dancer
- (buyoh), electronics
- Takehito Shimazu – Fuzzy Diagonals II (2001) (flute, 13-gen koto, dance)
- Takehito Shimazu – Fuzzy Diagonals III (2002) (flute, 2 guitars)
- Frédéric Maintenant – Interstice (2003) flute, guitar, electronics
- Orjan Sandred – Swirling Leaves (2006) (flute and harp)
- Miyuki Ito – Lunar Phases (2006) (flute, harp, viola)
- Miquel Lorca – Venus (2009) (flute and harp)
- Noriko Nakamura – Bright moon (2009) (alto flute and koto)
- Wang Ying – Gläsernes/Durchsichtiges Lied (2009) (flute and harp)
- Andreas Wagner – Wüstenfarben (2010), for flute, viola, and harp
- Kaija Saariaho, arr. Saariaho, Hoitenga, Dautry – Tocar (2010/2012), for flute and harp
- Pèter Koeszeghy – LIPS (2012), for flute and harp
- Michèle Rusconi – Dead Men are Heavier than Broken Hearts (2013), for flute, harp, and percussion
For Flute and Piano/Organ/Celeste/Bajan
- Christopher Fox – Pastoral (2000)
- Martin Scherzinger – The Whistle of the Circle Movement (2000)
- Hiroko Katsumoto – Unendliche Geschichte Variation (2003)
- Stephen Harrap – Passacaglia (2004) (flute and organ)
- Michael Denhoff – Maramba (2006) (flute and celeste)
- Dagfinn Koch – Hommage an Grieg (2010)
- Lotta Wennäkoski – Kaijalle (2012), for flute and piano
- Tatjana Kozlova (EE) – Pöörisvool (2012), for flute and piano
- Helena Tulve – Pulse, Ebb and Flow (2012), for bass flute and piano (with electronics)
- Helena Tulve – New Work (2011/12) (flute and prepared piano)
- Kaija Saariaho, arr. Saariaho, Hoitenga, Kerikmäe – Tocar (2010/2013), for flute and piano
- Pèter Koeszeghy – Amethyst (2013), for flute and piano
- Pèter Koeszeghy – Breathe Only (2016), for flute and piano
For Flute Ensembles
- Yoko Takahashi (2004) – two flutes
- Yoko Takahashi (2005) – two flutes and piano
- Yoshihiko Shimizu (2009) – three flutes
- Kevin Volans – 7 Flutes (2017)
For Flute and Saxophone
- Satoshi Ikegami – Morphogenesis (2005) (flute, saxophone)
- Aya Horie – Passion II (2005) (flute, saxophone and piano)
- Yoko Takahashi – Ryugo no Tsukai (2005) – (flute, saxophone and piano)
- Yoko Takahashi – Forest in the Sky (2005) – (flute, saxophone and piano)
- Yoko Takahashi – Kerahami (2005) (flute, saxophone and piano)
For Flute and Percussion
- Johannes Fritsch – Trio vom Ende (1992) Alto flute, bass voice & percussion
- Carl-Axel Hall – Unio Mystico (1994) (flute, also piccolo)
- Frédéric Maintenant – Musica Falsa (1998)
- Shoko Shida – Mugen (Beyond) (1999) (bass flute)
- Anne Lebaron – Transfiguration (2003) (soprano, flute, harp, percussion)
- Kaija Saariaho – Terrestre (2003) (flute, violin, cello,harp, percussion)
- Kaija Saariaho – Terrestre (2004) (flute, violin, cello,harp, guitar)
- Yoshihiro Kanno – Deep Sea Maze (2007) (flute, also alto, piccolo)
- Jovanka Trbojevic – The Wounded Angel (2009) (also alto flute)
- Michele Rusconi – New Work (2011) flute, harp, percussion
- James Bohn – Beat (2016), for flute and percussion
- Loreta Narvilaité – Nightingales in the Rain (2016), for flute and marimba
- Christoph Elgh – Verklighetsflykt (2019), for flute and percussion
- Anne LeBaron – Kamma Vipaku (2019), for flute and percussion
- Lisa Streich – Choupette (2019), for flute and percussion
For Woodwind Quintet
- Omri Abram – Zohar (Iridescence) (2018), for woodwind quintet
- Aaron Holloway – Ezra’s Nursery (2018), for woodwind quintet
- Dávid Magda – Three Pictures (2018), for woodwind quintet
- Alex Nante – Wind Quintet (2018), for woodwind quintet